On the other hand, B-roll is the process of using alternative footage spliced together with the main footage. What it does is that the alternative footage complements the main footage or the story you’re presenting. A typical example is when you’re narrating a story, or when you’re doing an interview. It would be too boring to watch at the person talking. B-roll is what makes it exciting and engaging for viewers. 

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Your audio quality is actually more important than your professional video quality. Most people are willing to watch a video that’s not shot in HD or that’s even a little grainy, as long as everything else about it is good. But fuzzy, indistinct audio is usually enough to make anybody hit the “back” button within a few seconds of starting to play a video.
Game mechanics are also crossing over into the world of theater. Punchdrunk, the immersive and interactive theater company behind hits like Sleep No More and The Drowned Man recently announced that “the future of interactive audience experience will be at the cross section of gaming and theatre.” Earlier this month, the company revealed a new partnership with Niantic, creators of the augmented reality Pokemon Go game. The venture promises to break new ground, taking the theatrical experience outside the walls of the theater and into real world.
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These concepts reflect a desire on the part of audiences to see themselves at the heart of the action, to actively engage rather than passively consume. Shows that can authentically offer viewer participation will reap the rewards, according to Neil Crombie of TV production company Swan Films. Crombie is executive producer of Grayson’s Art Club, an arts show conceived for lockdown for the British broadcaster Channel 4. The show ditched the traditional format of expert art critics dispensing wisdom and instead created a collective, meaningful experience for the nation.

Events designed for Corporate, Education and Non profits, avatars have mainly an interactive role. For example, in a convention, fair or any other type of commercial activity, businesses can arrange their booths or information stands with 3D avatars that stand for the company representatives. This way, attendees will be able to contact with assistants and solve their doubts in the moment.

More than mere pandemic stopgap solutions, virtual gigs and festivals have long-term potential. Apart from the huge, borderless audiences, they also provide valuable opportunities for both inclusivity and transcendence. As Lost Horizon’s creative director Kaye Dunnings explained at the (also virtual) CogX festival in London recently, “You can transcend anything through an avatar. You can create it how you want and customize it yourself. People that maybe are limited physically can walk anywhere, jump and bounce and teleport around the space.”

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Posted in JVZOO, Software & Video Training, Video Marketing, WSO and tagged AvatarBuilder, AvatarBuilder 3D Avatar Software, AvatarBuilder 3D Video Animation Software, AvatarBuilder AI Software, AvatarBuilder App, AvatarBuilder by Paul Ponna, AvatarBuilder by Sid Diwar, AvatarBuilder Demo Video, AvatarBuilder Features, AvatarBuilder JVzoo, AvatarBuilder OTO, AvatarBuilder PRO OTO, AvatarBuilder PRO Review, AvatarBuilder Review OTO, AvatarBuilder Sample Video, AvatarBuilder Software, AvatarBuilder Training, AvatarBuilder Upgrade, AvatarBuilder Upsell, Buy AvatarBuilder Software, Download AvatarBuilder Software, Get AvatarBuilder Software, OTO-UPSELL #1 : AvatarBuilder Elite Upgrade OTO, OTO-UPSELL #2 : AvatarBuilder Agency Upgrade OTO, OTO-UPSELL #3 : AvatarBuilder Template Hub Upgrade OTO, OTO-UPSELL #4 : AvatarBuilder VoicePro Upgrade OTO, Purchase AvatarBuilder Software, Review AvatarBuilder Software on 08/01/2021 by JV Review.

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